This table collection we designed and produced for our Styliamo customization platform in collaboration with our friends WertelOberfell. The designs could be customized via our online editor and were printed directly onto the wood surface with a UV-printer. We made multiple experiments until we found the right formula for the perfects prints. The artwork for this table was done by C100 aka Christian Hundertmark. Styliamo! derives from the word stilare and means "Let´s create!"

Micky Side Table / artwork by Stephan Doesinger / Digital print on cherry wood

Table full table collection in collaboration with our friends Wertel/Oberfell

Customizable bases and plates

The system for this table collection is based on a joint made of cast aluminum, produced in Poggibonsi.

We treated surface like guitar bodies even creating vintage looks

Big conference or dining table / parametric artwork by WertelOberfell.

This parametric design was also applied to our printed rug collection and to this special Modernista table designed by Jindřich Halabala in the 1920-ies

The system even allowed us to reimagine simple book shelfs

Digital print 400% white underneath the black colour creating an emboss effect ptinted directly on wood

Seater for the MOOONS hotel, 2025

The design of this double-seater was based on material requirements. This prototype was done with a new material called Zelfo. Zelfo was developed by some friends in Upper Austria and their company Zellform and is basically specially processed waste paper. It gets really hard and is absolutely "green" and sustainable. Therefor the project received The Eco Design Prize in Austria. The doughnut shape comes from the drying process. Our friend Jean Attali, a French philosopher, added a text by Gilles Deleuze to it: This new object we can call objectile. The object is no longer defined by an essential form, but reaches a pure functionality (...) ... this is a very modern conception of the technological object: it refers neither to the beginnings of the industrial era nor to the idea of the standard that still upheld a semblance of essence and imposed a law of constancy ("the object produced by and for the masses"), but to our current state of things, where fluctuation of the norm replaces the permanence of the law; where the object assumes a place in a continuum by variation; where industrial automation or serial machineries replaced stamped forms. The new status of the object no longer refers its condition to a spatial mold - in other words, to a relation form-matter - but to a temporal modulation that implies as much the beginnings of a continuous variation of matter as a continuous development of form.

An AI design which we will pursue to develop further anytime soon. The approach: layered padded sheets. Stay tuned!

"The Turtle Chair" prototype was designed in Paris in Menilmonant. When this area was gentrified Walter Benjamins` famous quote came into play as an inspiration: "Around 1840 it was briefly fashionable to take turtles for a walk in the arcades. The flâneurs liked to have the turtles set the pace for them. If they had had their way, progress would have been obliged to accommodate itself to this pace. But this attitude did not prevail". The idea was then to mass produce these chairs, embed digital responders and distribute them for free in public space - only to trace where they all would eventually go.